What are the financing & co-production opportunities for LGBTQ+ projects?│GOL SUMMIT 2020
GOL SUMMIT Akash Rajbhandari GOL SUMMIT Akash Rajbhandari

What are the financing & co-production opportunities for LGBTQ+ projects?│GOL SUMMIT 2020

2020 GOL SUMMIT Panel 5: What are the financing and co-production opportunities for LGBTQ+ projects?

The double-punch of the pandemic and streaming platforms has re-calibrated how and what producers are making and distributing. More importantly, how are they financing new projects in these challenging and volatile times? We hear experts from the US, Asia, and the advertising world.

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What types of queer content are Asian platforms looking for?│GOL SUMMIT 2020
GOL SUMMIT Akash Rajbhandari GOL SUMMIT Akash Rajbhandari

What types of queer content are Asian platforms looking for?│GOL SUMMIT 2020

2020 GOL SUMMIT Panel 3: What types of queer content are Asian platforms looking for?

Asia varies drastically from country to country in censorship, religion, societal and cultural attitudes towards the LGBTQ community, but how is the viewing behavior towards queer content? What is an OTT or channel to do to satisfy customer demand yet comply with regulations ?

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Marketing and distribution of Asian LGBTQ+ and BL content. │GOL SUMMIT 2020
GOL SUMMIT Akash Rajbhandari GOL SUMMIT Akash Rajbhandari

Marketing and distribution of Asian LGBTQ+ and BL content. │GOL SUMMIT 2020

2020 GOL SUMMIT Panel 2: Marketing and distribution of Asian LGBTQ+ and BL content.

A gay film will take Taiwan’s top box office this year, and BL content is currently the craze as platforms buy up stories from Japan, Thailand, and beyond. Are LGBTQ+ and BL content servicing different target audiences or are the tastes starting to converge? This is Taiwan's case.

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